A part of the enchantment of ECW was the music that accompanied wrestlers to the ring, however Paul Heyman used well-known songs by unconventional means.
Within the Nineties, ECW constructed a reputation for itself in fairly a number of methods. Even earlier than Shane Douglas famously threw down the NWA Championship and the E in ECW formally rebranded from Jap to Excessive, the corporate gained momentum off a budding hardcore sensibility. From there, Paul Heyman’s inventive course and liberties afforded to the expertise arrange quite a lot of unconventional and misused abilities for the most effective runs of their careers.
Associated: ECW: 10 Behind-The-Scenes Tales You’ve got By no means HeardIndeed, abilities like The Sandman and Public Enemy, who could by no means have gotten a sniff of curiosity from WWE or WCW, obtained photographs on the massive time due to how ECW accentuated their strengths and efficiently hid their limitations. One of many forgotten components to what made the ambiance in ECW electrical was using widespread music for quite a lot of main acts’ theme music. That time raises questions on how the scrappy, under-resourced wrestling firm was in a position to afford this luxurious.
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ECW Used Some Main Music For Entrance Themes
The Sandman and Tommy Dreamer stand tall within the crowd selling ECW One Night time Stand.
It could appear solely pure for The Sandman to have used “Enter Sandman” by Metallica for his ring music. Nevertheless, that intuitive pondering overlooks that Metallica was one of many hottest bands on the earth at that time and utilizing considered one of their most well-known songs even as soon as—not to mention on a routine foundation—would require a major funding.
“Enter Sandman” additionally wasn’t the one instance of ECW attaching recognizable music to its wrestlers. Additionally they had “Man within the Field” by Alice In Chains taking part in for Tommy Dreamer, “Pure Born Killaz” by Dr. Dre and Ice Dice for The Gangstas, “Come Out and Play” by The Offspring for Raven, and “Large Balls” by AC/DC utilized to Balls Mahoney in considered one of a number of connections between the long-lasting rock band and professional wrestling. These, amongst different examples, not solely resulted in entrances that had been higher than they are usually with generic instrumental music, however helped ECW each pump up its trustworthy followers and enchantment to new ones who could possibly be eased into the product with a well-recognized ingredient.
Paul Heyman Has Offered A number of Explanations For How ECW Was In a position To Use Its Music
In a WWE-produced panel dialogue, The Genuine Untold Story of ECW, Paul Heyman provided a proof for its use of unlicensed music. He claimed that whereas music performed formally over a PA system on the enviornment must be licensed, music performed right into a microphone may qualify as ambient noise that ECW wouldn’t have needed to pay for.
In a go to to the Squared Circle Pit podcast (h/t NoDQ.com), Heyman provided additional and barely completely different insights on the matter. In that dialog he defined that ECW had entry to songs by music firms that had sponsorship offers with the younger wrestling promotion. Moreover, they struck up particular person offers with bands together with Three Six Mafia with no cash altering palms, however relatively collaborating within the curiosity of giving the band publicity to an viewers of wrestling followers. Lastly, there have been circumstances when the corporate leaned into merely taking music they actually didn’t have a declare to on the hope and, particularly early on, affordable assumption they had been too small to get on a serious artist or label’s radar.
ECW’s Music Was Emblematic Of The Firm’s Id
The methods wherein ECW obtained its palms on and used well-known music for its acts had been largely consultant of ECW’s personal id as a wrestling promotion. Even when the corporate established extra clout with a national viewers, together with broadcasting nationally on TNN, and quietly accepting help from WWE, Paul Heyman was nonetheless masterful at portray the image of ECW as a renegade, underdog promotion.
Associated: 10 Finest Paul Heyman Quotes, RankedSo, Heyman brokered offbeat offers, took benefit of technological loopholes, and easily broke the foundations all for the ethos of ECW. Furthermore, their willingness and talent to stroll the razor’s edge on all of those sorts of particulars had been arguably part of their success over different promotions that, on paper, had comparable assets, throughout an especially aggressive time within the enterprise.
ECW is likely one of the manufacturers wrestling followers are likely to have essentially the most constructive nostalgia round for the methods wherein they thought exterior the field and the forward-thinking high quality of their product. Music was a key, underrated element of their presentation for thrilling followers, presenting their expertise in thrilling methods, and marking themselves as completely different from opponents. The methods ECW accessed music embodied what the corporate and its chief, Paul Heyman, had been all about.